Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
彭(péng )恒从被(bèi )左强打了药(🌽)水右手(🧚)(shǒu )力量(liàng )特别的(🕐)(de )强大，生(🌠)活(huó )过的一(yī )团(🚑)糟的彭恒(💲)好不容(👓)(róng )易遇(yù )上一个(🍛)(gè )让自(😎)己心动(⚪)的女同(tóng )事何慧，想(💎)(xiǎng )方设(🌦)法的想(xiǎng )要接近(📵)(jìn )何慧(🐵)，机缘巧(🔌)合的(de )买到(dào )了(le )一套(🤪)(tào )VR设备(🐇)，能够让他进(jìn )入(🗑)到虚拟(🕟)的世界(🙅)里和自(zì )己心爱(ài )的何慧(🃏)恋爱，为此(cǐ )过的(🎙)(de )很(hěn )幸(🍏)福(fú )。但(🥄)残酷的现实世(shì )界他一直(⏱)是单相(📀)思的一(yī )只单身(🏦)(shēn )狗，同(⛺)事何慧早已(yǐ )有(🥧)男(nán )朋友(🐗)更(gèng )是(😽)对他很冷(lěng )漠。痴(🐑)(chī )情的(💨)彭恒经(🐹)过了解(jiě )得知(zhī )她(⏰)的男(ná(🉐)n )朋友其实就是个(🧡)出(chū )了(🖇)名的花(🎵)花(huā )公子，为了(le )不让(🍽)何(hé )慧(🔏)受伤，把自己对(duì(🛏) )左铭(mí(💈)ng )炫(xuàn )的(📖)了(le )解一五一十的告诉(sù )何(🐃)慧，并把自己拍到(❤)的(de )照片(🔩)给(gěi )何(🌺)慧看，但何慧似(sì )乎对(duì )这(👙)(zhè )一切(🐄)(qiē )好像并不在乎(⏹)。被(bèi )左(🔚)铭炫逼迫加入了(🉐)左铭(míng )炫(🕙)的抢(qiǎ(🏬)ng )金活动中，彭恒不(🔨)(bú )顾自(🦊)(zì )己的(♎)生(shēng )命安慰救出(chū(💉) )何慧，感(🖤)动了她，让左铭炫(😳)一(yī )帮(🌷)人绳(shé(🍧)ng )之于法
阿黛尔和她(👚)(tā )的母(🔚)亲孔查(chá )生活在(😈)城郊(jiā(🎧)o )的一个(📬)(gè )贫民窟里。孔查的(de )丈夫(fū(🌷) )是个可(kě )恶的暴(⛔)徒，他使(🍊)母(mǔ )女(🆘)俩长期生活在暴(⏬)力和(hé )虐(🎒)待之(zhī(🐝) )中。对此忍无可忍(🤟)(rěn )的孔(🚣)(kǒng )查(chá )决定(dìng )不(😂)顾一切风(🐙)险，偷(tō(〽)u )走一大笔钱，并带(🙂)着女(nǚ(🌟) )儿阿黛(👃)(dài )尔逃离。不幸的是(🤙)(shì )，她(tā(♈) )们在出(chū )逃中被(🦅)发现了(🅾)。在(zài )追(🐴)捕过程中，孔查却意(🕯)(yì )外地(😈)驾(jià )车撞死了丈(😉)夫……(📟)这场逃(😂)离注(zhù )定是一次冒(mào )险，而(🤚)(ér )母女俩竭尽全(⛲)力，才能(🎢)(néng )挣脱(🌘)一(yī )直禁锢她们(⛎)的牢笼(ló(🥩)ng )。在这段(🔄)跨越生命的寓(yù(🚙) )言中，力(🏇)量、困难、爱的(👍)(de )希望(wàng )、(⬅)机会(huì(🛢) )和死亡如影随形(⬆)。
清末民(🏟)初军阀(🎵)四起战火(huǒ )绵绵，老(📯)百姓深(🛂)陷水深火(huǒ )热之(👑)(zhī )中(zhō(🛐)ng )，很(hěn )多(😌)人妻离子散，家(jiā )破(🏊)人亡。然(⚾)而有一座偏(piān )远(💹)的小(xiǎ(📨)o )山镇，却(🏯)独享着这(zhè )一片安宁。但好(🍪)景不长(zhǎng )，镇上(shà(⛽)ng )突然发(😱)生了一(🏉)些离(lí )奇命(mìng )案(🚙)，死(sǐ )去的(🛹)都是村(💫)里的青(qīng )年壮汉(🔅)，闹的人(🈺)心惶惶(huáng )。一向(xià(🔷)ng )夜不闭户(👿)的他们(🚢)天(tiān )还没(méi )黑(hē(➰)i )就关(guā(🌋)n )门上锁(🌡)，不再外出(chū )。但这并(🛥)非长久(👖)之计，镇长为(wéi )此(⬇)召集百(🏖)姓，筹集(🏛)(jí )钱财(cái )招(zhāo )揽能(🔹)(néng )人异(🌓)士，希望能找(zhǎo )出(⚫)根源，除(🦊)去祸患(🕎)。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
